Here I sit, not for the first time, sidelined from dancing due to a body part that isn’t on board with my passion for flamenco. For a few days, I wallowed in my situation, but now I am done with that. I will use this healing time to strengthen my body and bond with flamenco in other ways.
One thing I learned early on and continue to practice is that you MUST INVEST yourself in this craft in order to give your passion DEPTH. What I am discovering now, however, is the ability to find new ways to do that when something changes your course. Even if only temporarily.
Maybe it comes from a place of spending most of my life in cultural dance forms; first Hawaiian hula, now flamenco, but I very, very strongly believe in taking the time to find out what the heritage you are portraying means. I feel you have to understand an art form for it to be believable and have meaning.
So, while I am laid up for a few weeks, unable to dance, I will revisit some great ways to really immerse myself in the STUDY OF FLAMENCO. Yes, that’s right, it is a study. Not just showing up to dance in my ruffles and cool-ass shoes. And it’s an eternal phase; the hard work never stops and is constantly evolving. That is flamenco.
Listening to flamenco music is always first on my list. For me, listening to various styles and singers really gives me a sense of the feeling behind it and when I close my eyes, I can see myself dancing to it. It is also a great way to recognize the different palos of flamenco. I become inspired and comfortable and it releases an element of my own personal voice, or interpretation. I feel like this is so essential for demonstrating the real vibe of flamenco when I am on the dance floor.
Next, I will watch videos of both men and women dancers. I do this a lot! But the videos are not just to capture the essence of the dancers, I also pay attention to the singers and musicians, how they are responding or collaborating with the dancers, how the palmas carry the undertone, and how the whole unit acts in amazing unison. I understand that you cannot have flamenco without all of it working together, so the videos act as a good model for study. I usually always pick out a move or two from the dancer that I love and try to hold onto it in my memory bank for future use.
I will also work on what I can from a sitting position; palmas, braceo, castañuelas, etc. No time like the present to focus on what I CAN use of my body. I practice castañuelas fairly regularly but the rest will be new methodology. Taking time to focus on this should definitely help my upper body strength and precision.
I will read some more too. I’ve been lazily reading a collection of theoretical perspective essays but now I can finish it! Part of my study of flamenco is to learn the history and tradition and where it comes from. The more I know, the more I can connect to it. My goal is for it to enhance the flamenco that comes out of me and that is an earned privilege.
An added bonus to all of this is when I am feeling at an impasse and unsure where my flamenco path is taking me, I go back to its teachings. Back to the reasons I love flamenco, back to the rich history and culture, back to how it speaks to me, and back to my personal relationship with the dance. I renew my respect for the real reason I dance and I inevitably realize that is all that matters.
I think it is important, as a torch bearer of an art form filled with so much history, to reach for more knowledge, not just when you are injured and cannot dance. I am reminded of that now. Immerse yourself as much as you can in your craft. Give your art form the value it deserves. INVEST IN YOUR PASSION.